As you drive (or walk) along Michigan Avenue, heading north from Roosevelt Road, turn your head a tad to your right. (I think.) What do you see? What appears to be a gathering of legs. Yes, I said legs. There are 106 of them. They are tall. And they are cast iron. This art work, titled Agora, was created by Magdalena Abakanowicz. And, I argue, it shows very clearly that the artist is a Shimerian. Of course, she did not graduate from Shimer. But: there it is, right there, the Shimerian sensibility (implied footnote here to Tim Lacy and Stuart Patterson).
I have several reasons for making this argument. Here they are:
1. Yes, the title. Agora. Doesn't it make you think classical literature? The Polis? Socrates? Aristotle? Plato? And all those chaps? While the artist herself -- and much of the commentary I have read -- focuses on her relation to the notion of "Crowd," the title gestures to a different notion, right? And as a public sculpture, perhaps it gestures to the notion of public as well. Seems to me somewhat Shimerian.
2. Here's another argument. The piece has multiple interpretations. Yes, it is indeed, an aesthetic experience that requires reflection and, perhaps, discussion. Here's a bit from the Chicago tribune that might spark ideas. Such requirement that discussion emerge in any encounter -- well, that too seems Shimerian. Meaning emerges. It is not simply there.
3. Most crucially, perhaps, the experience of walking through the sculpture seems to me Shimerian. In a way, it is like the experience of walking our hallways, where conversations sparkle and mutate and are never quite what they seem? Perhaps the Agora's seeming antiquity, despite the fact that the installation is relatively new, can be read as similar to the continuity I experiene when Shimerians across generations start talking to one another.
Hmm. I think she is a Shimerian. Do you?